Revival of Mumbai’s Dance Bars: A Subtle Return Amidst Legal Frameworks
Mumbai, 12th February 2024: After a hiatus of five years, Mumbai’s once-thriving dance bars have reappeared, albeit in a modified form known as orchestra bars, entertaining in a more subdued manner. This resurgence follows a January 2019 Supreme Court ruling reiterating that the state cannot prohibit dance performances in bars, prompting these establishments to make a subtle comeback.
This revival marks a departure from the glamorous past depicted in Madhur Bhandarkar’s acclaimed film ‘Chandni Bar.’ The narrative of these bars shifted in 2005 when the then-home minister RR Patil imposed a ban, citing concerns of exploitation and advocating for the rehabilitation of women involved.
However, subsequent court interventions overturned Patil’s directive, leading to the emergence of orchestra bars. Despite regulatory frameworks like the Maharashtra Prohibition of Obscene Dance in Hotels, Restaurants and Bar Rooms and Protection of Dignity of Women (Working therein) Act, 2016, these establishments bear resemblances to their predecessors.
A visit to several prominent orchestra bars reveals a semblance of the bygone era. These venues typically feature ground-floor bars and restaurants, with the main entertainment unfolding on the first floor. Access is restricted, necessitating scrutiny and often requiring accompaniment by regular patrons.
Upon entry, patrons encounter dimly lit interiors adorned with flickering lights and nostalgic Bollywood melodies. The atmosphere evolves as the night progresses, with dancers, typically aged between 20 and 30, taking the stage in elaborate attire. Patrons eagerly participate, showering cash on performers as they dance to the music.
To maintain discretion, vigilant staff monitor the premises for any sign of law enforcement. Upon detecting police presence, performances cease abruptly, and the atmosphere reverts to that of a conventional orchestra bar.
Despite legal constraints and societal stigma, young women are drawn to this profession, often motivated by financial hardships and unmet aspirations. While restrictions on performance duration and the number of performers persist, some establishments continue to operate under the guise of orchestra bars, blending entertainment with discretion.
The resurgence of these bars underscores the ongoing debate surrounding moral policing and livelihood opportunities for women in the entertainment industry. As regulatory frameworks evolve, the future of Mumbai’s nightlife remains subject to legal, social, and economic dynamics.
